Creative Writing

While Ben has written in a variety of formats over the years (including putting in a 15+ year career as a technical writer, 10 years in editorial positions, and at least 5 of those as an instructional designer), writing for the stage is where he truly shines. What started as a whim based on a, frankly, kind of dumb idea to write a bog-standard parlor room farce with a zombie substituted for a character surrounded by selfish, vapid, idiots (the published and twice-produced The Importance of Eating Earnest) turned into a passion for playwriting.

Since then, he’s written for numerous 24 hour play festivals and managed to win a few, written several shorts for live audiences, and had a collection of short works put together for a “Magical Evening of Magical Theater Magic.” His current works can also be found on New Play Exchange.

(To produce The Importance of Eating Earnest or “Black,” complete the Next Stage Press form for performance license requests. All other works listed here currently require no license: contact Ben directly for production copies.)

The Importance of Eating Earnest

(Published by Next Stage Press, Produced in 2015 and 2018 by Cone Man Running Productions, directed by Christine Weems)

The struggles of being British, rich, and self-absorbed can be rather difficult to manage. Do you serve pâté or caviar? Which high-end brandy should be always on-hand and in which crystal decanter? What to do when the regular hired help doesn’t show up for your fabulous dinner party, and how to handle the replacement houseboy who really doesn’t look that well and has a predilection for human brains? A zombie would normally be quite the bother, but there are so many more pressing concerns, like how to your infidelity from your spouse who may also be unfaithful? Is it possible to be so self-absorbed that you don’t even realize that there’s a zombie among you.

Earnest asks and answers the most fundamental question of polite society: Who will be eaten first?

  • Cast Size: 4M 3F
  • Running Time: 90+ minutes

“Black” – From 64 Squares

(Published by Next Stage Press, Produced as part of A Magical Night of Magical Theater Magic by Company OnStage)

It’s an ancient tale; one which has been told many times. A rock star and a queen meet (perhaps not for the first time). She reluctantly helps him find the memories of a lost love by showing him how to play a classic Rolling Stones song.

  • Cast Size: 1M 1F
  • Running Time: 10 minutes

A Magical Night of Magical Theater Magic: Collected Short Works of Ben Plopper

(Produced in 2019 by Company OnStage as part of the Local Author Series, Ex-Pat Edition, directed by Jonathan Moonen)

A magical janitor with a drinking problem guides the audience on a journey through the creative mind of a playwright who is clearly way up his own… uh… ego. Includes the following short plays.

Shorts

“Rosemary’s Teenager” (Produced 2016 as part of Cone Man Running’s annualish “Spontaneous Smattering” 24-Hour Play Festival; Winner, Best Script) – The Antichrist is turning 13 and is ready to raise Hell as his father continues to fume about his wife’s infidelity with Satan. Will Damien move to ascend to his throne above the ruins of mankind, or will he actually talk to his crush, the little Japanese ghost next door with the long black hair and ability to kill with a cryptic text message?
(2M, 1F)

“The Philosophy of the Infinite Heart” (Produced 2015, directed by Christine Weems for Queensbury Theater, Houston, TX) – Two friends gaze at the stars on a clear night, contemplating relationships, friendships, fidelity, and the nature of the universe.
(1M, 1F)

“Your Mom” (Produced 2015 as part of Cone Man Running’s annualish “Spontaneous Smattering” 24-Hour Play Festival; Winner, Best in Show) – Foul-mouthed Timmy loves nothing more than playing online games and taunting his opponents with claims of matriarchal sexual conquest. His mom’s new boyfriend might be a problem in more ways than just IRL.
(2M, 2F)

“Armageddon Tired of All These Zombies” (Produced 2012 and directed by Leighza Walker for Obsidian Theater as part of “…And I Feel Fine: End of the World Shorts for 2012”; Originally produced 2012 as part of Cone Man Running’s annualish “Spontaneous Smattering” 24-Hour Play Festival; Winner, Best in Show) – Kevin, Karen, and Julie are survivors of a zombie apocalypse. Kevin may well be the last man on Earth, and Karen and Julie both vie to not be the one to help him repopulate humanity.
(1M, 2F)

In Development

Audio Drama

Plays